Fresh Air

Terry Gross

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Law
2:05 pm
Thu December 5, 2013

Beyond Good Cop/Bad Cop: A Look At Real-Life Interrogations

A lot of what we think we know about interrogation tactics comes from television and movies. Above (from left), Robert Ryan, Robert Mitchum and Robert Young appear in a scene from the 1947 film Crossfire.
The Kobal Collection

Originally published on Thu December 5, 2013 2:55 pm

We see a lot of police interrogation on TV, but how closely do those high-adrenaline scenes resemble the real thing? According to Douglas Starr, not much. In his new New Yorker article, "The Interview: Do Police Interrogation Techniques Produce False Confessions?", Starr examines the Reid technique, the style of interrogation most widely used by police forces in the U.S.

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Music Reviews
12:59 pm
Thu December 5, 2013

William Parker's Abstract Grooves Collected In Box Set

William Parker.
Roberto Serra - Iguana Press Getty Images

Originally published on Thu December 5, 2013 2:55 pm

Steve Lacy used to say that the right partner can help you make music you couldn't get to by yourself. Take the quartet William Parker founded in 2000, for example. Parker's bass tone was always sturdy as a tree trunk, but power drummer Hamid Drake gives him lift. The upshot is that free jazz can swing, too. The quartet's front line is another firm partnership: quicksilver alto saxophonist Rob Brown and flinty trumpeter Lewis Barnes.

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Commentary
2:57 pm
Wed December 4, 2013

What To Expect When You're Expecting ... To Share Your Baby Photos

Where will you share your baby's adorable post-bath pics?
Chris Parypa iStockphoto

Originally published on Wed December 4, 2013 3:42 pm

This summer, I hit one of life's great milestones: I became a person who posts baby pictures on the Internet. A lot of them.

Our son was born in August, and I have already taken 15,000 pictures of him, hundreds that I want to share with our family and close friends, and a few dozen that I might want to show colleagues and acquaintances. But how?

In theory, we're in a golden age of photo sharing. There are literally dozens of ways to share photos with friends now. But with the new capabilities of the Internet come new and distinctly contemporary problems.

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The Fresh Air Interview
2:57 pm
Wed December 4, 2013

Mark Mulcahy Is The 'Moving Forward Type'

Mark Mulcahy, the songwriter behind the much-beloved "Hey Sandy," returns after eight years and a tragic loss.
R. Murray Courtesy of the artist

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Author Interviews
1:25 pm
Tue December 3, 2013

Underground Cities And 'Ghost' Miners: What Some People Do For Gold

The price of gold rose dramatically after Lehman Brothers collapsed in 2008.
David Paul Morris Getty Images

Originally published on Tue December 3, 2013 2:41 pm

Gold is assumed to have eternal, inherent value, but what makes it valuable? And what determines its value now that it's no longer the basis of our currency? In the book Gold: The Race for the World's Most Seductive Metal, journalist Matthew Hart examines the new gold rush driven by investors. He travels to gold mines — including the Mponeng mine in South Africa, where he descended into the deepest man-made hole on Earth — and investigates why gold and crime sometimes go hand in hand.

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Author Interviews
1:25 pm
Tue December 3, 2013

Ted Williams: A Perfectionist Ballplayer With Many Demons

Ted Williams, pictured here in 1941, was deeply marked by his parents' absence while he and his brother were growing up.
AP

Originally published on Tue December 3, 2013 2:16 pm

There are great ballplayers, and then there's Ted Williams. In a 22-year career, Williams accomplished things that give him a legitimate claim to being the greatest hitter who ever lived; but he was also a tormented soul who hurt a lot of people, including himself.

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Movie Interviews
1:39 pm
Mon December 2, 2013

Director Alexander Payne On Mining Every Film For Comic Potential

Alexander Payne arrives at the 69th annual Golden Globe Awards in 2012.
Chris Pizzello AP

Originally published on Mon December 2, 2013 2:18 pm

Alexander Payne directed and co-wrote the films Election, About Schmidt, Sideways and The Descendants. He's directed Jack Nicholson and George Clooney in starring roles and has won two Oscars for best adapted screenplay.

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Fresh Air Weekend
9:03 am
Sat November 30, 2013

Fresh Air Weekend: Anjelica Huston, 'Nebraska' And Turkey Tips

In a new memoir, Anjelica Huston recounts her childhood in Ireland, her teen years in London and her coming of age in New York.
Robert Fleischauer Courtesy of Scribner

Originally published on Sat November 30, 2013 12:44 pm

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:

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Interviews
12:03 pm
Fri November 29, 2013

Billy Crystal Finds Fun In Growing Old (But Still Can't Find His Keys)

Billy Crystal has hosted the Academy Awards more times than anyone except Bob Hope. "I love doing it because I love the danger of it," Crystal says. "You have to come through and think on your feet."
Timothy A. Clary AFP/Getty Images

Originally published on Mon December 2, 2013 10:04 am

This interview was originally broadcast on Oct. 17, 2013.

Billy Crystal isn't happy about turning 65, but at least he's finding a way to laugh about it. His memoir — Still Foolin' 'Em: Where I've Been, Where I'm Going, and Where the Hell Are My Keys? — is on the best-seller list.

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Movie Reviews
7:03 am
Fri November 29, 2013

A Korean Cult Thriller Gets A Spike Lee Makeover

After 20 years in captivity, Joe (Josh Brolin) is released into the world with a hammer and an appetite for revenge in Oldboy, a Spike Lee remake of the 2003 South Korean film.
Hilary Bronwyn Gayle FilmDistrict

Originally published on Mon December 2, 2013 10:04 am

Spike Lee's movies typically carry the label "A Spike Lee Joint," but Oldboy doesn't. He calls it "a Spike Lee Film," which my guess is Lee's way of saying he's a gun for hire — and that after a line of box office failures and difficulty getting financing for personal projects, he can make a fast, violent action thriller.

And as it happens, he can — a more-than-decent one. But this is also the first time I've come out of a Spike Lee film, bad or good, and not known why it had to be made. It's brutal, effective and utterly without urgency.

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