Gregory Warner

Gregory Warner is NPR's East Africa Correspondent. His reports cover the diverse issues and voices of a region that is experiencing unparalleled economic growth as well as a rising threat of global terrorism. His coverage can be heard across NPR and NPR.org.

Before joining NPR, Warner was a senior reporter for American Public Media's Marketplace, where he endeavored to make the economics of American health care vivid and engaging. He's used puppets to illustrate the effects of Internet diagnoses on the doctor-patient relationship. He composed a Suessian cartoon to explain why health care job growth policies can increase the national debt. His musical journey into the shadow world of medical coding won the 2012 Best News Feature award from the Third Coast International Audio Festival.

Prior to Marketplace, Warner was a freelance radio producer reporting from conflict zones around the world. He climbed mountains with smugglers in Pakistan for This American Life, descended into illegal mineshafts in the Democratic Republic of Congo for Marketplace's "Working" series, and lugged his accordion across Afghanistan on the trail of the "Afghan Elvis" for NPR's Radiolab.

Warner's radio and multimedia work has won awards from Edward R Murrow, New York Festivals, AP, PRNDI, and a Sigma Delta Chi award from the Society of Professional Journalists. He has twice won Best News Feature from the Third Coast International Audio Festival in 2009 and 2012.

Warner earned his degree in English at Yale University. He is conversant in Arabic.

The world's largest refugee camp is also a giant social experiment.

Take hundreds of thousands of Somalis fleeing a war. Shelter them for 24 years in a camp in Kenya run by the United Nations. And offer different opportunities than they might have had if they'd stayed in Somalia.

The Kenyan government wants the experiment to end — soon. It's pushing the refugees to return to their home in Somalia, though the camp called Dadaab is the only home many have known.

Ignatius Agon practices his greeting: "OK, good evening ladies and gentlemen. My name is Ignatius and I am going to guide you into the dark."

It's Monday, and the first day of training for a new restaurant opening this month in Kenya. Diners will be served in the dark. They'll have to find their food with their forks and eat it in a pitch black room.

And the waiters are blind.

Traveling with the State Department in Africa, you feel like you're traveling in countries without people. Traffic-clogged roads are cleared in advance by security services. The two-hour drive from downtown Nairobi to the airport takes a beautiful 12 minutes.

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STEVE INSKEEP, HOST:

This next story will test the ability of the British to keep calm and carry on.

DAVID GREENE, HOST:

London is the home of a new work of art. It is part of a competition.

INSKEEP: It's outdoors.

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ROBERT SIEGEL, HOST:

In the half darkness of an adobe hut in Gondar, Ethiopia, 20-year-old Gezahegn ("Gezi") Derebe pulls out an acoustic guitar. As on many evenings when the power goes out, he entertains his family by singing. Though his mother, Ayelesh, sways to the tune, she doesn't understand the lyrics, because Gezi sings not in his native Amharic, but in Hebrew.

Behind him, on a wall kept cool with a traditional mixture of cow dung and ash, hangs a laminated map of Israel. Above it are the framed photographs of his relatives who have already managed to emigrate there.

At 16, Liz was beaten and repeatedly raped, then thrown unconscious into a pit latrine in Busia County, in Western Kenya. The local police doled out their own brand of "punishment": They ordered the assailants to cut the grass at the police station.

But after millions of people around the world petitioned for a stronger punishment, a trial began last year. And on Monday, three of her assailants were sentenced to 15 years in prison.

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LINDA WERTHEIMER, HOST:

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RENEE MONTAGNE, HOST:

There's something sketchy at this year's Venice Biennale — the international art exhibition sometimes dubbed the Olympics of the contemporary art world.

When you come to the Kenyan pavilion, almost all of the artists will be ... Chinese.

The Biennale, one of the oldest and most important exhibitions of contemporary art in the world, takes place in Venice every two years. Thirty countries, including the U.S., have a permanent slot.

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